The Wanton Bishops interview: Nader Mansour on bruises, blues and Beirut
While Beirut remains caught in the crosshairs of war, an indigenous band that boasts a ragtime conco...
Ayaan Paul Chowdhury
‘Citadel: Diana’ interview: Matilda De Angelis and Gina Gardini on reinventing ‘Citadel’ in Italy
There’s a particular thrill in building worlds — especially when the canvas stretches across contine...
In their new HBO documentary, directors Ian Bonhôte and Peter Ettedgui manage to soar above the Kryp...
There’s something delightfully perverse about Slow Horses, that with its fourth season, continues to...
The summer anime season endured a bit of a glut this year, with few titles truly catching the eye. E...
‘House of Spoils’ movie review: Undercooked Arian DeBose horror spoils its feminist broth
The latest dish in Amazon’s Blumhouse menu arrived under a silver cloche with a lot of fanfare, but ...
The season finale of The Rings of Power’s second outing may not have completely answered every burni...
‘Dandadan’ series premiere review: Eccentric occult outing is a genre-blending delight
The anime scene, currently basking in the glow of its modern shounen juggernauts — Demon Slayer, My ...
‘Wolfs’ movie review: George Clooney and Brad Pitt turn up the charm for this smooth operation
Director Jon Watts’ latest non-franchise directorial effort, might just be the most low-profile high...
In His Three Daughters, director Azazel Jacobs crafts a delicate and tightly-wound meditation on fam...
Surely, a new Transformers movie paired with a Linkin Park resurgence in the same year, cannot be ch...
Following the breakout success of Kathryn Hahn’s deliciously sinister Agatha Harkness in Marvel’s Wa...
‘My First Film’ review: Zia Anger’s moving meta-fiction is a stunning ode to failure
Zia Anger’s My First Film is a paradox — a (second) debut that is not just about making art, but abo...
Usman Riaz never set out to make history; he simply wanted to sketch. His venture began a decade ago...
Zia Anger interview: On ‘My First Film’, autofiction and working with Odessa Young
Zia Anger is not one to abandon a project, no matter how doomed it seems. Take Always All Ways, Anne...
‘Strange Darling’ movie review: Willa Fitzgerald’s electrifying run elevates this subversive shocker
In Strange Darling, writer-director JT Mollner seems determined to take viewers down a twisted rabbi...
