Director Rajesh on ‘Brother’, writing films on interpersonal relationships and the future of comedy

Rajesh, the director behind hits like Siva Manasula Sakthi, Boss Engira Bhaskaran andOru Kal Oru Kan...

‘Black’ movie review: Delectable flourishes eclipse minor flaws in Jiiva and Priya Bhavani Shankar’s mind-bending thriller 

Tamil cinema’s tryst with high-concept thrillers is as rare as the occurrence of the Supermoon in Bl...

TJ Gnanavel on Rajinikanth’s ‘Vettaiyan’: Art is a tool, a weapon... but it all comes down to who’s wielding it

TJ Gnanavel is probably the only two-film-old filmmaker in recent times, apart from Pa. Ranjith, to ...

‘The Platform 2’ movie review: Perplexing plot and staggering symbolism puts this sequel a level below its predecessor 

It’s raining sequels! While none of them seem to have what it takes to recreate the magic of its ori...

‘Hitler’ movie review: Vijay Antony’s revenge drama is outdated and ordinary

Vijay Antony is on a spree with his recent films. While his contemporaries rarely churn out a couple...

‘Meiyazhagan’ movie review: Karthi and Arvind Swami shoulder this spirited bromance drama

While most filmmakers focus on the bigger aspects of their story to substantiate the so-called big-s...

Jr NTR on ‘Devara: Part 1’ and how Janhvi Kapoor ‘manifested’ her role in the film

Keeping in fashion with pan-Indian actors promoting their films in centres outside their home turf, ...

Vijay Antony interview on ‘Hitler’: I don’t have any political agenda

Vijay Antony is inarguably a trendsetter; after all, his biggest hit song as a composer, ‘Naakka Muk...

‘Kadaisi Ulaga Por’ movie review: Hiphop Tamizha Adhi’s ambitious dystopian film bites more than it can chew

The journey of the musical duo Hiphop Tamizha is fascinating, especially after Adhi turned actor and...

‘Lubber Pandhu’ movie review: Harish Kalyan, Attakathi Dinesh hit it out of the park with this wholesome entertainer

In a country like India where cricket is an emotion, there’s no dearth of films on the beloved sport...

‘Nandhan’ movie review: Sasikumar’s anti-caste film is high-hearted, but lacks subtlety and finesse

You don’t often see a film where its first shot is one of its best! Era Saravanan’s Nandhan, starrin...

Harish Kalyan interview: On ‘Lubber Pandhu,’ ‘Diesel’ and his take on stardom

Interpersonal conflict seems to be a trope that has caught Harish Kalyan’s fancy. One of last year’s...

‘The Greatest of All Time’ movie review: Vijay, Venkat Prabhu’s ‘GOAT’ chooses theatrical fan service over a compelling story

Director Venkat Prabhu sets the tone of his Vijay-starrer GOAT (The Greatest of All Time) right from...

‘Kottukkaali’ movie review: Anna Ben, Soori bring PS Vinothraj’s meticulously-crafted vision to life

After what is the best scene of Kottukkaali when the film and its cast’s emotions hit a crescendo, a...

Mari Selvaraj interview on ‘Vaazhai’: If a director really wants to test their acumen, they should do a children’s film

The biggest artwork adorning Mari Selvaraj’s office — there are a lot of them, all in monochrome — i...

Anna Ben on ‘Kottukkaali’, transcending boundaries and making dream debuts in Tamil and Telugu

One of the best takeaways from the pan-Indian film trend is the trading of talents between industrie...